Alizee's Place

I like my men emotionally dead and full of static.

March 25, 2013 at 10:59pm
37 notes
Reblogged from asiponder
asiponder:

asiponder:

image

March 23, 2013 at 8:38pm
296,966 notes
Reblogged from kaajoo

dear-melina-count-me-in:

kaajoo:

World’s Most Beautiful Abandoned Places

Italian product manager and web designer Francesco Mugnai recently added a collection of images to his blog touting some of the most beautiful images of abandoned spots and modern ruins that he’d ever seen. The images Mugnai has captured come from empty castles, shuttered power plants, and dilapidated churches around the world. From a sunken yacht in Antarctica to a forever-closed amusement park in Japan, these images all make up a sort of anti-phoenix; rather than rising as new from the ashes, these husks remain preserved in decomposition, forcing viewers to confront the strange beauty of ruination.

i love these more than anything

(via autumdseery)

8:37pm
194,647 notes
Reblogged from soaringthroughtheseasons

k4sseh:

o m g

(via autumdseery)

fuckyeahlaughters:

i’ll take 2

fuckyeahlaughters:

i’ll take 2

(via autumdseery)

February 20, 2013 at 12:55am
131,924 notes
Reblogged from andrewfishman
fancybidet:

andrewfishman:

Marina Abramović, “Rhythm 0,” 1974
Marina Abramović is best known for her performance pieces, in which she tries to explore what is possible for an artist to do in the name of art.  Her best known piece was the recent “The Artist Is Present,” in which she sat motionless for 736.5 hours over the course of three months, inviting visitors to sit opposite her and make eye contact for as long as they wanted.  So many people began spontaneously crying across from her that blogs and Facebook groups were set up for those people.  
Her bravest piece, however, is my favorite.  This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.  
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves.  I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.   

Every time I read about this piece I cry.

fancybidet:

andrewfishman:

Marina Abramović, “Rhythm 0,” 1974

Marina Abramović is best known for her performance pieces, in which she tries to explore what is possible for an artist to do in the name of art.  Her best known piece was the recent “The Artist Is Present,” in which she sat motionless for 736.5 hours over the course of three months, inviting visitors to sit opposite her and make eye contact for as long as they wanted.  So many people began spontaneously crying across from her that blogs and Facebook groups were set up for those people.  

Her bravest piece, however, is my favorite.  This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances. 

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves.  I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.   

Every time I read about this piece I cry.

(via autumdseery)

12:47am
96 notes
Reblogged from a-softer-resident-evil
a-softer-resident-evil:

A Softer World 39

;n;

a-softer-resident-evil:

A Softer World 39

;n;

(via happyleech)

February 16, 2013 at 12:47pm
21,953 notes
Reblogged from amandayahh

Professor: Does everyone know what alchemy is?
Me: Alchemy - the science of understanding, deconstructing and reconstructing matter. However, it is not an all-powerful art. It is impossible to create something out of nothing.
Professor: Right, exactly.
Me: If one wishes to obtain something, something of equal value must be given. This is the law of equivalent exchange, the basis of all alchemy. In accor-
Professor: Okay, thank you.
Me: There is a taboo among alchemists! Human transmutation is strictly forbidden, for what-
Professor: We got it!
Me: FOR WHAT COULD EQUAL THE VALUE OF A HUMAN SOUL?

gifs-gifs-gifs-gifs-gifs:

What methods do you guys use to animate?

(via the-avatar-alchemist)

February 12, 2013 at 12:36am
0 notes

Why don’t you just watch more TV and do nothing with your life?

Good plan, Khrys. Good plan.

February 4, 2013 at 11:47pm
310 notes
Reblogged from avatargrimes

“I’m never happy.”

requested by: anonymous

“I’m never happy.”

requested by: anonymous